My first noisy week with the New York City Ballet in their summer home, Saratoga Springs, ended in the special silence of a Quaker meeting. Like a period punctuating the end of a long sentence, it was a diminutive dot with the power to stop roiling thoughts and complexly reasoned arguments in a tiny drop of ink on a page.
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The meeting was well-attended and proceeded differently than the 15th Street meetings I’ve attended in New York. There, Friends arrive early, the silence well underway by the official start time. The Saratoga Friends sit and talk quietly until 10:00 when the meeting begins. The power of this concentrated gathering of silence caught me off guard. Like the gentlest caress, it felt deeply meaningful.
Twice this week, I went into the SPAC audience to watch performances of Apollo (there are only strings in Stravinsky’s score). As the work unfolded, I realized that the moment “I had been waiting for” was the one I was in. Surrounded by strangers, confronting the genius of Balanchine and Stravinsky through the virtuosity of the performers, the artistic and intellectual stimulation brought me into a heightened state.
This morning, meeting with Friends I didn’t know, in a humble, quiet room with white walls and no ornamental display, another door opened, promising other rooms.
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